Unlike most comedy sequels, the Austin Powers franchise only became more successful at the box office with each additional outing (sorry, Neighbors 2), with Austin Powers in Goldmember generating $300 million worldwide. It’s been 14 years since Mike Myers last donned the mop-top and spouted a bunch of delightfully cheesy innuendoes, and though we may not be any closer to a fourth Austin Powers outing, director Jay Roach says it could still very much happen.
After taking a bit of a break from acting to make his directorial debut (and to have what I presume is a very adorable baby with Eva Mendes), Ryan Gosling is back. In addition to starring in upcoming films from Adam McKay and Shane Black, the actor is cementing his return with his SNL debut. Gosling can't keep a straight face through most of the episode, which delivers some really weird and delightful sketches with few disappointments. Read on for our ranking of this week's SNL sketches from best to worst.
File this under "you learn something new every day"! (Unless of course, you already knew this, in which case, carry on with your noneducational day...)
Mike Myers and Dana Carvey donned the torn jeans and crazy hair one more time in a Wayne's World sketch during the Saturday Night Live 40th Anniversary Special.
Schwing! With the SNL 40th Anniversary Special bringing back all their heavy hitters, you had to know that Wayne and Garth were going to come back for one more Wayne's World. We had to wait until the end of the special, but it was worth it to see their “SNL Top 10” that broke the fourth wall and was actually sweet.
NBC has been surprisingly quiet about ‘SNL’'s impending 40th anniversary special, but VH1 has upped the nostalgia ante in a major way. VH1 Classic will begin a 19-day marathon of ‘SNL’'s 40 years on January 28, working backwards through 433 episodes and staging themed mini-marathons along the way.
It’s become fashionable in recent years to hate the Golden Raspberry Awards (AKA, the Razzies) and for good reason. The inherently negative awards claim to celebrate the worst films of the year, but they frequently nominate or “honor” ambitious misfires or boring studio junk over the real worst films of the year. To be fair, the Razzies are and have always been a big silly joke, but they’re a joke that leaves a bad taste in the mouth. And yet, it’s really hard to look at this year’s nominees and disagree. With a handful of minor exceptions, this looks like a year where the Razzies actually, well, kinda’ got it right.